Tact-Ed
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5Steps to Colorado

By using Incremental Scaling© we can teach people to have a very true understanding of the scale of very large, very small or intangible objects. In this series of models people are guided through five scales of models to have a solid understanding of how big the state of Colorado is. The series we call 5Steps to Colorado has been tested by over 230 people and has been modified over a dozen times based on feedback from users.

STEP 1 -A stuffed life-sized dog.
STEP 2 - A scaled model of a two-story house.
STEP 3 - A model of a football stadium.
STEP 4 - Contour map of the Denver metro area.
STEP 5 - A relief map of Colorado.

Denver Art Museum - Stampede: Animals in Art

This small part of a much larger exhibit at the Denver Art Museum helped people see and feel different types of animal fur used in clothing. The raised, color-contrasting images of the animals were placed just below the examples of fur. To ensure a better connection to the size of the animal, all the images were cut to the same scale as an image of an adult human to the right.  

Tactile table exhibit including a fur coat, a model of a person wearing a fur coat and fur samples.
Close-up of Tact-Ed's animal outlines next to fur samples.

May D&F Clocktower, Denver Colorado

This tactile model shows some of the methods we use to research and test the best solutions to every one of our projects. At every stage we test our products with people who are blind, visually impaired and sighted to ensure that we are using effective textures, sizes, colors and details to convey the necessary information.  

Photo of the real May D&F Clocktower in Denver.
May D&F Clocktower model and base.
An early version of the Clocktower model being tested by students.
Close-up of model base and scale people  to show the relative scale of the building compared to us.
One of the experimental bases of the model with notes written on it.

NCAR Tactile Art Symposium

We made this interactive and yes, immersive, exhibit for the NCAR Tactile Art Symposium. Its intention was to show how to stimulate all the senses within one experience. During the two days it was up, more than 50 sighted and blind people went through it, many of them more than once. To simulate walking through a dense rainforest we installed soft foam "branches", fabric vines, a bumpy but safe floor, a gentle breeze, rainforest sounds and the smell of various plants.  

Exhibit during construction showing the hanging texture pieces.
Finishing the exterior leaf-like structure.
Artists exchanging ideas.
Guests looking at tactile art.

Denver Art Museum - Rembrandt: Painter as Printmaker

Rembrandt: Painter as Printmaker was one of the most challenging exhibits for us to design. To illustrate what a copper plate engraving is and how Rembrandt used them in his prints was the goal given by the museum. To accomplish this we created two tactile pieces. One showed what intaglio grooves look and feel like when greatly enlarged. The three different types of intaglio grooves were filled with black silicone to simulate the look and apparent feel of ink as it lays in the grooves. At the top, in the same scale, is an enlargement of the edge of a penny for a more visceral feel for the scale. 

The other piece showed a real copper plate with oversized grooves and a corresponding piece of paper which had been pressed into the plate. You can see and feel the impression the plate makes in the paper and how the artist had to etch in reverse to create the intended image. With the help of Dawn Spencer Hurwitz of DSH Perfumes in Boulder, we also added the scent of old paper and printers ink to this piece. Every time someone turned the page they smelled part of the process the artist would have smelled. 

Main board with the three kinds of grooves and the edge of a penny in the same enlarged scale.
People using the board mounted at the Denver Art Museum.
Making the grooves by hand with a special steel tool.
The etch the groove early in the process. The material is 18lb urethane foam.
The etch groove painted and filled with black silicone mimicking ink.
The plate and paper showing how the artist had to make a reverse image in copper.
Deeply-embossed paper to make the image more tactile.

Read more about Tact-Ed's Rembrandt tactile

Check out this interview with Matt Gesualdi by the Denver Art Museum

Mission to Nocterra

This unique interactive exhibit is possibly the world's first pitch-black puzzle room. Built within the Colorado Center for the Blind, Tact-Ed designed, built and tested it many times before showing at Maker Faire Denver and the National Federation of the Blind Colorado state convention. Although hundreds of people went through it only eight people, five designers and three consultants, ever saw it with the lights on. Fully accessible, this exhibit put blind and sighted people on more level ground in a safe, non-frightening environment to solve individual puzzles in a pitch-black room. 

Themed with an alien/government cover-up design and back story, people were asked to use antibacterial wipes to keep human germs off the alien items. Even in 2018 this was very much appreciated by people knowing that everyone before them had done the same. During the two days of Maker Faire over 250 people experienced it. The next weekend at the National Federation of the Blind Colorado state convention another 88 people went through it. By far this was the most well-attended and received interactive exhibit for Tact-Ed.

Banner at Maker Faire Denver advertising Nocterra.
The outside wooden framework of Nocterra.
Rounded table with Nocterra information packets on the top.
People standing around the entrance to Nocterra.
The black front door of Nocterra with white Winslow Corp logo.

Read more about Mission to Nocterra

Check out the articles in 303 Magazine and Denverite 

Denver Art Museum - The Light Show

The Light Show exhibit showed many different uses and interpretations of the word "light", including enlightenment. In 1995 the Denver Art Museum (DAM) commissioned and was granted permission for a permanent Buddhist sand mandala. Many years later when the mandala was brought out again for The Light Show, the DAM asked Tact-Ed to design a way for people with visual impairments to be able to see this piece. We tested and developed this tactile exhibit highlighting the different designs, patterns and proper hierarchy of the reading order for the mandala. This exhibit was up for much more than a year and touched by many, many people.

Tactile mandala being touched by someone.
Tactile mandala on the wall of the exhibit display.
11x17 clear test of layers without image behind it.
11x17 clear test of layers with the image behind it.
Close up detail of the clear layers.
Hands solvent gluing the tiny pieces one by one.
View of original mandala and the tactile mandala in the background.

Watch the video

Check out a video produced by the Denver Art Museum. It shows the 

original Buddhist mandala on a table and our tactile mandala on the wall 

being used by patrons.

Link to video 

The Broken Column - Frida Kahlo

During the pandemic we played and experimented. We were inspired by Frida Kahlo's The Broken Column. This was an experiment to make a 2D painting into a proper 3D tactile. Yes, we could have 3D printed it and yes, used a 5-axis mill if we'd had access to one, but the form is organic. Making an organic form by hand ensures it feels organic and lifelike. Making it with different materials gives each part a different temperature, which you cannot get with a 3D printed, single material piece. 

Painting of the Broken Column by Frida Kahlo.
The beginning of the test with a section of the painting on a slab of foam.
The foam with basic forms sculpted.
More refined sculpting of the torso.
The torso covered with putty to cover the foam texture.
The torso with finished skin texture and background.
The finished piece with proper colors, nails in the skin, straps, and background.
The nearly finished torso with column in place.
Artistic photo of the finished test piece in a shallow creek with foaming water.

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